It’s finally October. Well, I guess last week was technically October, too, but it’s finally cooling off and starting to feel like fall. I’m starting to feel the urge for scary movies and moody comics. Let’s see what this week holds for us.
The October Faction #1
So, Steve Niles. That guy is pretty well respected. I mean, 30 Days of Night had a great story. Even though the art was unbearably terrible, it was still worth reading just for the cool concept. So what does Niles have in store for us this time:
“The creative team behind Monster & Madman would like to introduce you to the ongoing adventures of retired monster-hunter Frederick Allan and his family? which include a thrill-killer, a witch, and a warlock. Because sometimes crazy is the glue that binds a family together.”
All right… I’ll check it out. The art can’t be worse than 30 Days of Night….
Doctor Who 10th #3
The Doctor is back.
The Tenth Doctor is back.
To paraphrase “The Man”… “I’ve said enough.”
Also, I’d love to frame this cover and hang it on the wall.
Bad Dreams #5 (of 5)
This is an unbearably beautiful cover for a very interesting book. I featured the first issue in a previous “Hot Picks of the Week” column. Now that the mini-series is winding down, I feel compelled to pick them all up. You can be ceratain that you’ll see the trade paperback (best friend of casual comics fans everywhere) featured soon.
“Using an enchanted potion Mary frees her companions from the Dream Queen’s spell. But time is running out for them, they must find the talisman they’ve been searching for to release Mother Night and discover their true nature.
As an all out assault on the palace ensues, their final confrontation between light and dark will ultimately reveal all. “
Well, if it’s the last issue, I’d certainly hope they would “ultimately reveal all”. Thanks for nothing lazy solicitation writer…
Worst Comic of the Week:
Mighty Titan #3
This may or may not be a new category. I honestly can’t recall. It’s late. I’m on Eastern Time now. And I’ve been browsing more than my recommended daily allowance of comics.
One thing is for sure. This is the WORST comic of the week. It’s trying so hard to be “hot” that it’s the complete opposite. Let’s set aside the horrifyingly non-functional costume on the woman here. Let’s set aside the terrifyingly poor costume design on the guy. They both look like far too stiff action figures, And, I think she’s supposed to look seductive, but instead she looks like she’s going to plunge her claws into his chest Mola Ram-style.
Then there’s the hilariously bad cyclops behind them. Everything about the cover to this issue amplifies the argument that comics are for stunted pre-teens whose brains are damaged by heavy metal music.
But let’s be fair and find out what the plot of this comic is:
“The Mighty Titan is now aware of his cancer diagnosis. A surprise meeting with a super-powered woman, Caress, sends him reeling into a sea of anger and doubt. Joe Martino’s The Mighty Titan wraps his experiences as a cancer survivor in a super-hero shell.”
Actual real-time reaction?
*groan*… Caress? *sigh* cancer again..stop already… super-hero shell… *groooooaaaaan*
This is the worst thing I’ve seen in a long time. And I just saw a skunk run over on the highway a few weeks back.
I still count it as a miracle that Marvel is finally reprinting this classic series. For those of you who don’t know, issues 11-15 are the hardest back issues to find. Which is weird, because they are the climax of this first story arc. Reading the apex of this story arc changed my view of comics forever.
As you can see, Alan Moore still continues to be a jack-hole about the credits to the comic. But, if you want to see the best work Alan Moore ever did, you’ll be reading (or re-reading) this classic series. The continuing revelation of the true source of Mike Moran’s powers, plus the introduction to Miraclewoman would normally be enough. But, this issue also slips in the re-introduction to the super-evil Kid Miracelman. It might sound silly, but that’s the point. Moore creates one of the best, most tragic story arcs in all of comics and this is smack in the middle of it.
That’s why Miracleman #12 is the Official Casual Comics Hot Comic Book of the Week.
(Also, be prepared for #13-15 to be the hot picks, regardless of what else comes out those weeks…) In the meantime, support your local comic book shop.
Ahhh… The new year is upon us and so are the new comics. Here are the picks for the best of the best bets for new comics this week. Rounding out the list is my pick for best comic reissue of the decade.
As always, weekly picks are provided by our friends over at Dragon’s Lair and uneducated commentary is mine and mine alone.
Monsters! and Other Stories Trade Paperback Read the rest of this entry
Finally, some interesting news out of New York Comic Con. “Miracleman” is back – both classic reprints and new stories. This title holds significance to me, since it was one of my favorites back in the 1980s. It also holds historical value, as two of the most-renowned comic writers of the era – Alan Moore and Neil Gaiman – carried the title through its 24 issue run in the modern era.
The saga and intrigue behind the comic are almost as tangled as the fictional story contained within the pages.
The Origin of Miracleman
Miracleman actually began as “Marvelman”, and he was introduced to readers in 1953.
Marvelman’s early adventures paralleled the “Captain Marvel” series familiar to many readers. Marvelman’s secret identity was Mickey Moran, a cub reporter who was granted powers based on atomic energy. When saying his secret word “KIMOTA!”, young Mickey transformed into an older, muscule-bound hero who could fly, was super strong, and possessed near invulnerability.
One can see where the publishers of “Captain Marvel” were not amused by the title’s similarity. Especially once they expanded the Marvelman Family, introducing Young Marvelman and Kid Marvelman.
The original run of Marvelman lasted about 10 years before it, and its Marvelman family spin-offs. Were cancelled.
The Rebirth of Marvelman
In 1982, Alan Moore brought the character of Marvelman back to print in the pages of Warrior magazine, a British comic anthology that also birthed “V for Vendetta”. This incarnation of the Marvelman story picked up with a much older Mickey Moran. As the story kicks off, Moran is middle-aged, married, and plagued by headaches. He has no memory of his adventures as Marvelman.
When a terrorist attack sparks him to recall, dimly, his “magic word”, Marvelman is reborn back into the world.
The 1980s Marvelman series is far more adult fare than the previous series, and Alan Moore uses the series to prod at some more serious issues that comic writers still reference today. What is the world like when there is a super-powered being? What responsibilities does he have to humanity? And, most important, is it even possible to anything but a monster, out of touch with a world inhabited by normal people?
Miracleman Comes to the United States
In 1985, Eclipse Comics began reprinting the stories from Warrior, and then published new material. Eclipse changed the name to “Miracleman” due to pressure from Marvel Comics, and Alan Moore continued the story he began in Warrior.
The story took ever darker turns throughout the run and one could literally watch Moore changing the face of superhero comics during his run on MIracleman.
Moore left the series after issue 16, and the Neil Gaiman took over writing duties. During Gaiman’s run, the series took ever more cosmic, philosophical tones.
The Death of Miracleman
Then, the story of Miracleman abruptly and unexpectedly ended with issue 24. Publisher, Eclipse, fell into financial ruin. They closed their doors in 1994, the 25th issue of Miracleman complete, but unpublished.
In 1996, Todd McFarlane swooped in and purchased the rights to all of Eclipse’s intellectual property for $40,000.
Twisted Tales of Limbo
However, the rights issues for a character with such a complicated history were not easily disentangled. Many “owners” staked claims to the character. McFarlane actually used the character of Mike Moran in the pages of his “Hellspawn” comic, only to have a lawsuit prevent the planned unveiling of Miracleman in “Spawn”.
Former Miracleman writer, Neil Gaiman formed Marvels and Miracles in 2001, LLC to try and clear up the rights to Miracleman. At that point, the comics had been long out of print – lost to a whole generation of comic book fans.
Problematic for those who did want to read this title was the scarcity of issue #15 – the conclusion of the Alan Moore’s story arc. Without any collected editions of the material available, issue 15 regularly fetched a hefty price. A recent search on eBay reveals complete runs of Miracelman 1-15 selling for $330 dollars and individual copies of #15 bringing in $100.
Gaiman spent the better part of a decade trying to clear the rights for reprints and future stories of this once hot hero.
Hope for the Future
At San Diego Comic Con in 2009, Marvel Editor-in-Chief Joe Quesada excited fans at his “Cup o’ Joe” panel with the announcement that Marvel Comics had completed the purchase of the rights to Marvelman. However, the announcement didn’t clarify much on what that meant for the future of Marvelman/Miracleman in the Marvel Universe.
The Marvel team gave away some Marvelman shirts, and then the whole story vanished into the night. Until now, that is…
At the 2013 New York Comic Con, Marvel formally announced that they have – finally – solidified their rights to the character and that they will be releasing reprints of the Eclipse series.
After the reprint of the 24 issue run, Neil Gaiman will finally complete the unfinished story arc he began over a decade-and-a-half ago. This may be the longest any fans have waited for the conclusion to a story in the recent history of comics.
This is truly a momentous occasion. The Miracleman comic has been unavailable for far too long. Penned by two titans of the printed page, it’s almost unbelievable that the title has received so little attention.
Is Miracleman worth reading?
When I read (and re-read) the series in the 90s, it was a powerful story that mined new territory in the“superhero” genre. I just pulled out my bagged and boarded copies of the original Eclipse run and will post thoughts on re-reading the series soon.
For any fan of Alan Moore, though, the title shows off his development and maturation in a critical phase of his career. And the Neil Gaiman run was groundbreaking at the time. Over the course of their careers, both Moore and Gaiman have produced even more powerful, memorable ongoing series.
The restoration of “Miracleman” will allow fans to see an important evolution in the careers of both those storytellers.